Have been learning the clarinet part to Pierrot lunaire over the past year, as some of the UMaine faculty have been performing bits of this piece over the last few months, and getting ready to do the whole thing this season during the work’s 100th year of existence. It is, of course, really concentrated, everything going by in an instant, so I don’t know that anyone ever gets “comfortable” with the lines or ensemble rhythms. So, practicing these movements seems different from practicing the other works for this season, even newish ones like Judith Weir’s Sketches from a Bagpiper’s Album (which is challenging from other, more long-term, points of view, including high register control). But basically, I have a lot of notes to get down.
Plus, I’ll be playing a concert at The Firehouse Space in Brooklyn on Oct. 20th, with friends Geoff Burleson and Maria Tegzes. So I’m also practicing my own music, some of which I didn’t really imagine myself playing when I wrote it. Which is nicely different from how things usually go, though it does mean yet more notes to learn. Here are some of the pieces for the Firehouse concert:
Sharp Nostalgia, for bass clarinet and piano
The Primary Tool is Soup, for soprano, piano and DVD
The Star Theatre, for clarinet, piano and DVD (there’s a demo performance of this one here)
beth wiemann 